Journal of the stylistic of Persian poem and prose
volume Number 17، number In Volume 5، August 2024 ، issue Number 99

The intellectual style of social poetry after the Iranian Islamic Revolution (Qaiser Aminpour, Saed Bagheri, Abdul Jabbar Kakaei)

Ali Eshghi Sardehi , Zahra Alavi (Author in Charge), Abolqasem Amirahmadi

Abstract

BACKGROUND AND OBJECTIVES: Mankind has long tried to build his society on the basis of his culture, literature and ideals. In this effort, literature has continuously surpassed other subjects and has found a special place in society and politics. As a result of the constitutional movement, the victory of the Iranian Islamic Revolution, the imposed war between Iran and Iraq, and similar events and issues, contemporary Persian poetry moved towards social and political poetry. To the extent that a branch called "social ghazal" was formed in contemporary Persian literature. In these sonnets, social themes and events of the era of poets are mostly mentioned. These sonnets are prominent in the ideological layer, which is related to the inner language, and the element of ideology is constantly repeated in them. The purpose of this article is to investigate the intellectual style of social sonnets after the revolution in the poems of Qaisar Aminpour, Abdul Jabbar Kakaei, and Saed Bagheri.

METHODOLOGY: This research was conducted with a descriptive-analytical method.

FINDINGS: After the Islamic revolution, the themes of this sonnet became more national-religious and issues such as martyrdom and stability were raised more. The most important themes in social sonnets after the revolution are freedom, patriotism, stability, martyrdom, peace and friendship, protest against the transformation of values, and the culture of expectation and Mahdism.

CONCLUSION: In general, Qaisar Aminpour should be considered a more serious and prolific poet than Saed Bagheri and Abdul Jabbar Kakaei in the field of revolutionary poetry. Even though Aminpour has many new poems in this field, his social sonnets about war, homeland and the value of martyrdom remain worthy of attention. Saed Bagheri has been martyred more than any other issue and has repeatedly expressed his regret and longing for his martyrdom and comrades. Abdul Jabbar Kakaei, but more than two other poets, has dealt with the subject of Mahdism and waiting for the promised. He equates his long waiting time with the loss of his dreams to reach the ideal society.

Keyword
Ghazal , contemporary poetry , political , social , Iranian Islamic Revolution

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